The Little Ones

Excelente disco pop.
A banda sonora perfeita para o tempo quente que tarda a chegar.

A capa foi desenhada por Jesse LeDoux que já tinha feito algo semelhante no album "Chutes To Narrow" dos "The Shins".


Lovers Who Uncover



The Little Ones 'Oh Mj!'

Groo TV - 005

Joy Division Live 1979 transmission & she's lost control

The Union Trade

Formed in San Francisco, California in April of 2006

The Union Trade subscribe to an ethic of experimentalism, intent on creating music with a visceral impact. This attitude is reflected in their use of effects, the manipulation of instrumental sounds and feedback, changing tempos, unique song structures, and varying time signatures. The Trade's sound reveals the band's alternative, indie and post-rock influences such as Sonic Youth, Slint, Ride, Mineral, Mogwai, Explosions In The Sky, The Appleseed Cast, Longwave, and Film School. The final, perhaps defining, element of The Union Trade sound is their ability to channel this sonic ambition into carefully crafted and accessible songs with emotional immediacy, in emulation of artists and bands such as Neil Young, Sunny Day Real Estate, Pedro The Lion, Early Day Miners, The New Year and Earlimart.

The Union Trade's debut EP "Now The Swell", was released February of 2007, by Tricycle Records.

TRACK LISTING

1. strings break - mp3
2. violent and beautiful
3. hopeless
4. green fields

St. Vincent - Marry Me

St. Vincent is the band of singer-multi-instrumentalist, Annie Clark. The 23- year old is a veteran guitarist for two musical armies, The Polyphonic Spree and Sufjan Steven's touring band. "Marry Me," St. Vincent's debut record, will be available on Beggars Banquet July 2007. On Marry Me we see a smartly crafted deluge of guitar, bass, and beats pulsing forward with warmth and immediacy alongside Annie’s classy soprano. Her lyrics can be weird or tongue-in-cheek or dead serious, capturing verily what it feels like to be 23 years old in America and caught up in the delirium of love blues and wartime blues and the various swashbuckling adventures of existence. Horns and strings cry out brassy and full-bodied over digital keyboards. Songs rock out vigorously, break down into squiggling post-noise-rock deconstructions, roll out mellow and slow-flowing as a river. Backing harmonies and kiddie choirs loom in the distance, rise, and lilt above the stately grandiosity. And she keeps good company. David Bowie’s longtime pianist Mike Garson shows up on two songs, as does Brian Teasley from Man or Astro-man but, mostly, it’s just Annie, a multi-instrumentalist for a new era.